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Sunday, January 29, 2006

Thus Far: The Films of StudioFilmClub

StudioFilmClub opened its doors on Thursday, February 13, 2003 with a screening of Perry Henzell's 1972 classic, The Harder They Come. To date approximately 180 films have been shown, including feature films, documentaries, TV films, short films, and student films. One film has been screened twice, Pedro Almodovar's All About My Mother, which was voted the most popular film shown at StudioFilmClub by its patrons.

SFC has also witnessed three live music performances, from Jah Defender, jointpop, and 12.


The Films of StudioFilmClub
(In chronological order)

1. The Harder They Come (Perry Henzell, 1972, Jamaica, 100')
2. Ghost Dog: The Way of the Samurai (Jim Jarmusch, 1999, USA, 116')
3. The Gleaners and I (Agnes Varda, 2000, France, 82')
4. Le Mepris (Jean Luc Godard, 1963, France, 103')
5. Dog Town and Z-Boys (Stacy Peralta, 2001, USA, 91')
6. Rashomon (Akira Kurosawa, 1951, Japan, 88')
7. Reggae (Horace Ove, 1970, UK, 60')
8. King Carnival (Horace Ove, 1972, UK, 40')
9. A Taste of Cherry (Abbas Kiarostami, 1997, Iran, 95')
10. Black Orpheus (Marcel Camus, 1959, France, 107')
11. Blue Velvet (David Lynch, 1986, USA, 120')
12. Rockers (Theodoros Bafaloukos, 1979, Jamaica, 100')
13. In the Mood for Love (Wong Kar-Wai, 2000, Japan, 98')
14. All About My Mother (Pedro Amoldovar, 1999, Spain/France, 101')
15. London (Patrick Keiller, 1994, UK, 85')
16. Gentlemen (Nick Relph & Oliver Payne, 2003, UK/USA, 25')
17. All Around Her the Noise Echoes Her Footsteps (Mario Lewis, 2002, TT, 3')
18. May 1st July 4th (Mario Lewis, 2002, TT, 5')
19. Jules et Jim (Francois Truffaut, 1961, France, 105')
20. East is East ( Damien O'Donnell, 1999, UK, 96')
21. Stepping Razor - Red X Diaries (Nicholas Cambell, 1992, Canada, 103')
22. Talk to Her (Pedro Amoldovar, 2002, Spain, 112')
23. The Importance of Being Morrissey (Tina Flintoff/Ricky Kelehar, 2003, UK, 90')
24. Adaptation (Spike Jonze, 2002, USA, 114')
25. All of Emily (Elspeth Duncan, 2002, TT, 22')
26. Pepe le Moko (Julien Duvivier, 1937, France, 90')
27. That Obscure Object of Desire (Luis Bunuel, 1977, Spain/France, 102')
28. Crossing Over (Christopher Laird, 2000, TT/Ghana, 58')
29. Konimo - Palm Wine Guitar (Christopher Laird, 2000, TT, 36')
30. Solas (Benito Zambrano, 1999, Spain, 101')
31. The Journey of Lesra Martin (Cheryl Foggo, 1999, Canada, 46')
32. Coffy (Jack Hill, 1973, USA, 91')
33. Space is the Place (John Coney, 1974, USA, 85')
34. Quilombo (Carlos Diegues, 1984, Brazil, 114')
35. Kes (Ken Loach, 1969, UK, 110')
36. Bowing for Columbine (Michael Moore, 2002, Canada/Germany/USA, 120')
37. The Magdalene Sisters (Peter Mullan, 2002, UK/Ireland, 119')
38. Xala (Ousmane Sembane, 1974, Senegal, 119')
39. Dancer in the Dark (Lars Von Trier, 2000, Germany/Denmark/France/Finland/UK/Iceland/Norway/Netherlands/Sweden/USA, 140')
40. City of God (Fernando Meirelles, 2002, Brazil, 130')
41. The Big Lebowski (Joel Coen, 1998, USA, 117')
42. Black Stalin (Judith Laird, TT, 30')
43. Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1973, Germany, 93')
44. Nights of Cabiria (Federico Fellini, 1956, Italy/France, 110')
45. Dance the Calypso (John Barry, 2003, TT, 35')
46. Tango (Carlos Suara, 1998, Spain/Argentina, 115')
47. Der Lauf der Dinge (Fishli & Weiss, 1986/87, Sweden, 30')
48. Mixtape (Payne & Relph, 2002,UK, 23')
49. Dial H-I-S-T-O-R-Y (Johan Grimponez, 1997, TT, 100')
50. Les Fiances du Pont MacDonald (Agnes Varda, France, 3')
51. Looking for Langston (Isaac Julien, 1989, UK, 40')
52. Fiorucci Made Me Hardcore (Mark Lecky, 1999, UK, 15')
53. Les Mistons (Francois Truffaut, 1957, France, 17')
54. The Trinidad Tripoli Steelband (Bud Smith, TT, 1971, 28')
55. The Mirror (Andrei Tarkovsky, 1974, USSR, 108')
56. George and the Bicycle Pump (Asha Lovelace, 2003, Cuba, 13')
57. The Filth and the Fury (Julien Temple, 1999, UK/USA, 2000, 108')
58. Afro Punk (James Spooner, 2002, USA, 73')
59. L'Avventura (Michelangelo Antonioni, 1960, France, 145')
60. Some Like it Hot (Billy Wilder, 1959, USA, 120')
61. The Story Beneath the Surface (Jason Riley, 2002, TT, 35')
62. Smile Orange (Trevor D Rhone, 1974, Jamaica, 88')
63. Roots Rock Reggae (Jeremy Marre, 1977, UK/Jamaica/USA, 60')
64. Tokyo Story (Yasujiro Ozu, 1953, Japan, 136')
65. Pierrot le Fou (Jean Luc Godard, 1965, France, 110')
66. Sex and Lucia (Julio Medem, 2001, Spain/France, 128')
67. Together (Lukas Moodysson, 2000, Denmark/Sweden/Italy, 106')
68. BC (Before Columbus) (Robert Yao Ramesar, 2000, TT, 3')
69. The Saddhu of Couva (Robert Yao Ramesar, 2001, TT, 5')
70. The Gospel According to St Matthew (Pier Paulo Pasolini, 1964, France/Italy, 137')
71. Capturing the Friedmans (Andrew Jareki, 2003, USA, 107')
72. 101 Reykjavik (Balthasur Kormakur, 2000, Denmark/France/Iceland/Norway, 88')
73. The Vanishing (George Sluizer, 1993, Netherlands, 109')
74. Baadasssss Cinema (Isaac Julien, 2002, UK/USA, 60')
75. Taxi Driver (Martin Scorsese, 1976, USA, 113')
76. Amores Perros (Alejandro Gonzalez Inarritu, 2000, Mexico, 153')
77. Ratcatcher (Lynne Ramsay, 1999, France/UK, 94')
78. L'Argent (Robert Bresson, 1984,France/Sweden, 85')
79. Elephant (Gus Van Sant, 2003, USA, 81')
80. Omeros (Isaac Julien, 2003, UK, 20')
81. La Dolce Vita (Federico Fellini, 1960, France/Italy, 174')
82. Gram Parsons: Fallen Angel (Gandulf Henning, UK/Germany, 2004, 90')
83. Pather Panchali (Song of the Little Road) (Satyajit Ray, 1955, India, 115')
84. The Spirit of the Beehive (Victor Erice, 1973, Spain, 97')
85. Aparijito (The Unvanquished) (Satyajit Ray, 1956, India, 113')
86. Osama (Siddiq Barmack, 2003, Afghanistan/Iran/Japan/Netherlands, 83')
87. Apu Sansar (The World of Apu) (Satyajit Ray, 1959, India, 106')
88. Zatoichi (Takeshi Kitano, 2003, Japan, 116')
89. Dogville (Lars Von Trier, 2004, Germany/Denmark/France/Finland/UK/Netherlands/Norway/Sweden/USA, 177')
90. Kids (Larry Clark, 1995, USA, 91')
91. The Coconut Revolution (Dom Rotheroe, UK, 50')
92. Rocco and His Brothers (Luciano Visconti, Italy/France, 1960, 177')
93. Chungking Express (Wong Kar-Wai, 1994, Hong Kong, 102')
94. Tape (Richard Linklater, 2001, USA, 86')
95. Old Boy (Park Chan-Wook, 2003, Korea, 118')
96. Fahrenheit 9/11 (Michael Moore, 2004, USA, 122')
97. Calypso Dreams (Geoffrey Dunn/Michael Horne, 2003, USA, 85')
98. Music is the Weapon (Stephane Tchal-Gadjieff/Jean Jacques Flori, 1982, France, 53')
99. Jump Up (Rune Hassner, 1966, Sweden, 86')
100. Don't Look Now (Nicholas Roeg, 1973, UK, 110')
101. Elephant (Alan Clarke, 1989, UK, 39')
102. Easy Rider (Dennis Hopper, 1969, USA, 94')
103. Agua, L'Eau, Water (Sonja Dumas, 2002, TT, 15')
104. Fog of War (Errol Morris, 2003, USA, 107')
105. A Man Escapes (Robert Bresson, 1956, France, 99')
106. Buena Vista Social Club (Wim Wenders, 1999, Cuba/France/Germany/UK/USA, 105')
107. Maria Full of Grace (Joshua Marston, 2004, Colombia/USA, 101')
108. The Return (Andrei Zvyagintsev, 2003, Russia, 105')
109. Dazed and Confused (Richard Linklater, 1993, USA, 103')
110. Jeffrey's Calypso (Vashti Anderson, 2004, USA/TT, 25')
111. In This World (Michael Winterbottom, 2002, UK, 88')
112. Sweet Sweetback's Baadasssss Song (Melvin Van Peebles, 1971, USA, 93')
113. Dark Days (Marc Singer, 2000, USA, 90')
114. I Have a Dream (Zak Ove, 2002, USA, 22')
115. Suite Havana (Fernando Perez, 2004, Spain, 84')
116. Rules of the Game (Jean Renoir, 1939, France, 100')
117. Bad Education (Pedro Almodovar, 2004, Spain, 109')
118. Salaam Bombay (Mira Nair, 1988, UK/India, 113')
119. Day for Night (Francois Truffaut, 1973, France, 115')
120. The Night of the Hunter (Charles Laughton, 1955, USA, 93')
121. The Battle of Algiers (Gillo Pontecorvo, 1965, Italy, 117')
122. Muhammad Ali: The Greatest (William Klein, 1964/74, USA, 120')
123. Hana Bi (Takeshi Kitano, 1997, Japan, 103')
124. Rastafari (Herman Lohe, 2004, Sweden, 12')
125. Edward Said: The Last Interview (Mike Dibb, 2004, UK, 205')
126. Fat Girl (Catherine Breillat, 2000, France, 84')
127. Bali - Altar of the Gods (Errol Sitahal, 2003, TT, 26')
128. Idi Amin Dada: A Self Portrait (Barbet Schroeder, France, 1974, 90')
129. Basque Ball (The Skin Against the Stone) (Julio Medem, 2003, Spain, 108')
130. Francis Bacon - Arena (Adam Low, 2005, UK, 96')
131. Black Narcissus (Michael Powell/Emeric Pressberger, 1947, UK, 100')
132. Writers and Places: Shiva Naipaul (Adam Low, 1982, UK, 35')
133. Lolita (Stanley Kubrick, 1962, USA, 152')
134. All About My Mother (Pedro Almodovar, 1999, Spain/France, 101')
135. Exotica (Atom Egoyan, 1995, Canada, 103')
136. Bus 174 (Jose Padhila/Jose Lacerda, 2004, Brazil, 120')
137. Waking Life (Richard Linklater, 2001, USA, 99')
138. Wild Strawberries (Ingmar Bergman, 1959, Sweden, 99')
139. Spetters (Paul Verhoeven, 1980, Holland, 127')
140. Central Station (Walter Salles, 1998, Brazil, 113')
141. Gadjo Dilo (Tony Gadlif, 1997, Romania,100')
142. Secretary (Steven Shainberg, 2002, USA, 111')
143. Vera Drake (Mike Leigh, 2004, UK, 125')
144. Derrida (Kirby Dick, Amy Ziering Kofman, 2002, USA, 85')
145. The Third Man (Carol Reed, 1949, UK/USA, 104')
146. The Dreamers (Bernardo Bertolluci, France, 2004, 124')
147. The Holy Girl (Lucrecia Martel, Argentina, 2004, 104')
148. The Dream Life of Angels (Elodie Bouchez, 1998, France, 113')
149. The Terrorist (Santosh Sivan, 1998, India, 100')
150. Written on the Wind (Douglas Sirk, 1956, USA, 99')
151. Belle de Jour (Louis Bunuel, 1967, France/Italy, 101')
152. Bullet Boy (Saul Dibb, 2004, UK, 89')
153. Rues Cases Negres (Euzhan Palcy, 1983, France/Martinique, 103')
154. Palindromes (Todd Solondz, 2004, USA, 100')
155. A Film About Jimi Hendrix (Joe Boyd, 1973, UK, 100')
156. George Washington (David Gordon Green, 2000, USA, 89')
157. Last Days (Gus Van Sant, 2005, USA, 97')
158. Who the Fuck is Pete Doherty? (Greg Rosselli, UK, 2005, 50')
159. 8 Femmes (Francois Ozon, 2002, France/Italy, 111')
160. 2046 (Wong Kar-Wai, 2004, China/Germany/France/Hong Kong, 130')
161. Spring, Summer, Autumn, Winter, and Spring (Kim Ki-Duk, Korea, 2004, 108')
162. Moolade (Ousmane Sembene, Senegal/France, 2004, 120')
163. The Agronomist (Jonathan Demme, 2003, USA, 90')
164. Grizzly Man (Werner Herzog, 2005, USA, 103')
165. Baldwin's Nigger (Horace Ove, 1969, UK, 45')
166. Pickpocket (Robert Bresson, 1959, France, 75')
167. 3 Iron (Kim Ki-Duk, 2005, Korea, 90’)
168. Mad Hot Ballroom (Marilyn Agrelo, 2005, USA, 105’)
169. Fire (Deepha Mehtra, 1996, India/Canada, 106’)
170. A Dream to Change the World (Horace Ove, 2004, UK/Trinidad)
136. Hyenas (Djibril Diop Mambety, 1992, Senegal,113’)
137. The White Diamond (Werner Herzog, 2005, Germany, 90’)
138. Capote (Bennett Miller, 2006, USA, 114’)
139. DiG! (Ondi Timoner, 2004, USA, 107’)
141. Lucia (Humberto Solas, 1968, Cuba, 160’)
142. La Vida es Silbar (Life is to Whistle) (Fernando Perez, 1998, Cuba, 106’)
143. Soy Cuba (I Am Cuba) (Mikheil Kalatozishvili, 1964, USSR/Cuba, 141’)
144. Le Souffle au Coeur (Murmur of the Heart) (Louis Malle, France, 1971, 158’)
142. The Squid and the Whale (Noah Baumbach, USA, 2005, 81’)
143. Beijing Bicycle (Wang Xiaoshuai, China, 2002, 113’)
144. Badlands (Terence Malick, USA, 1973, 90’)
145. De Battre Mon Coeur s'est Arrêté (The Beat That My Heart Skipped) (Jacques
Audiard, France, 2005, 102’)
146. Block Party (Michael Gondry, 2006, USA,114’)
147. Lady Vengence (Park Chan Wook, Korea, 2005, 117’)
148. Cache (Hidden) (Michael Haneke, Austria, 2005, 118’)
149. Barrel Children (Cara Weir, USA, 2006, 24’)
149. Paris is Burning (Jennie Livingston, USA, 1990, 78’)
150. The Red Shoes (Michael Powell& Emeric Pressburger, UK, 1948, 134’)
151. The Road to Guantanamo (Michael Winterbottom & Mat Whitecross, UK, 2006, 98’)
152. Vers le Sud (Heading South) (Laurent Cantet, France, 2006 108’)
153. The Wind That Shakes the Barley (Ken Loach, UK, 2006, 127’)
154. Mamute Siberiano (The Siberian Mammoth) (Vincente Ferraz, Brazil, 2005, 90’)
155. The Proposition (John Hillcoat, Australia/UK, 2005, 104’)
156. Au Hasard Balthusar (Robert Bresson, France, 1966, 95’)
157. Sullivan’s Travels (Preston Sturges, USA, 1941, 90’)
158. Crna Macka, Beli Mackor (Black Cat, White Cat) (Emir Kusturica,
France/Germany/Yugoslavia, 1998, 127’)
159. Bread & Roses (Ken Loach, UK, 1998, 110’)
160. Suna No Onna (Woman in the Dunes) (Hiroshi Teshigahara, Japan, 1964, 123’)
161. Volver (Pedro Almodovar, Spain, 2006, 121’)
162. Wassup Rockers (Larry Clark, USA, 2006, 111’)
163. The Yacoubian Building (Marwan Hamed, Egypt, 2006, 161’)
164. Pan’s Labyrinth (Guillermo del Toro, Mexico, 2006, 112’)
165. Ping Pong (Fumihiko Sori, Japan, 2006, 114’)
166. Water (Deepa Mehta, 2006, India, 140’)
167. Up and Dancing: The Magic Stilts of Trinidad & Tobago (Harald Rumpf., 2007,
Trinidad & Tobago/Germany, 51’)
168. Carnival Roots (Peter Chelkowski, 2003, Trinidad & Tobago, USA, 90’)
168. Blue Collar (Paul Schrader, USA, 1978, 114’)
169. Raising Victor Vargas (Peter Sollett, France/USA, 2002, 88’)
170. Grey Gardens (Albert and David Maysles, USA, 1976, 100’)
171. The Passenger (Michelangelo Antonioni, 1975, Spain/Italy/France, 119’)
172. The New World (Terrence Malick, 2006, USA, 135’)
173. Cockfighter (Monte Hellman, USA, 1974, 83')
174. The Wild Blue Yonder: A Science Fiction Fantasy (Werner Herzog,
Germany, 2006, 81’)
175. C.R.A.Z.Y (Jean-Marc Vallee, 2005, Canada, 127’)
176. Junebug (Phil Morrison, USA, 2005, 106’)
177. Etre et Avoir (To Be and To Have) (Nicholas Philibert, France, 2003, 100’)
178. Glastonbury (Julien Temple, 2006, UK, 124’)
179. Coffee and Cigarettes (Jim Jarmusch, USA, 2004, 93’)
180. Two for the Road (Stanley Donen, USA, 1967, 111’)

1 Comments:

Blogger Nicholas said...

I thought I was a real "regular", but checking back now I realise I've seen only about forty of the films at SFC--less than quarter. The first one I saw was, as it happens, All About My Mother.

NL

1:25 PM  

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