This week at SFC:Persepolis
STUDIOFILMCLUB
BUILDING 7
FERNANDES INDUSTRIAL CENTER
EASTERN MAIN ROAD
LAVENTILLE
PORT OF SPAIN
STUDIOFILMCLUB is located in the front foyer space of building 7.
Our screenings are FREE and all are welcome.
THURSDAY 17th July, 8:15pm
Winner of the 2007 Jury prize at Cannes, we are pleased to be screening the animated film of the graphic novel of the same name "Persepolis".
PERSEPOLIS (Marjane Satrapi/France/2007/98')
“Persepolis” is a simple story told by simple means. Like Marjane Satrapi’s book, on which it is based, the film, directed by Ms. Satrapi and Vincent Paronnaud, consists essentially of a series of monochrome drawings, their bold black lines washed with nuances of gray. The pictures are arranged into the chronicle of a young girl’s coming of age in difficult times, a tale that unfolds with such grace, intelligence and charm that you almost take the wondrous aspects of its execution for granted. In this age of Pixar and “Shrek,” it is good to be reminded that animation is rooted not in any particular technique, but in the impulse to bring static images to life. And “Persepolis,” austere as it may look, is full of warmth and surprise, alive with humor and a fierce independence of spirit. Its flat, stylized depiction of the world — the streets and buildings of Tehran and Vienna in particular — turns geography into poetry. If “Persepolis” had been a conventional memoir rather than a graphic novel, Ms. Satrapi’s account of her youth in pre- and post-revolutionary Iran would not have been quite as moving or as marvelous. Similarly, if the movie version had been conventionally cast and acted, it would inevitably have seemed less magical as well as less real.
BUILDING 7
FERNANDES INDUSTRIAL CENTER
EASTERN MAIN ROAD
LAVENTILLE
PORT OF SPAIN
STUDIOFILMCLUB is located in the front foyer space of building 7.
Our screenings are FREE and all are welcome.
THURSDAY 17th July, 8:15pm
Winner of the 2007 Jury prize at Cannes, we are pleased to be screening the animated film of the graphic novel of the same name "Persepolis".
PERSEPOLIS (Marjane Satrapi/France/2007/98')
“Persepolis” is a simple story told by simple means. Like Marjane Satrapi’s book, on which it is based, the film, directed by Ms. Satrapi and Vincent Paronnaud, consists essentially of a series of monochrome drawings, their bold black lines washed with nuances of gray. The pictures are arranged into the chronicle of a young girl’s coming of age in difficult times, a tale that unfolds with such grace, intelligence and charm that you almost take the wondrous aspects of its execution for granted. In this age of Pixar and “Shrek,” it is good to be reminded that animation is rooted not in any particular technique, but in the impulse to bring static images to life. And “Persepolis,” austere as it may look, is full of warmth and surprise, alive with humor and a fierce independence of spirit. Its flat, stylized depiction of the world — the streets and buildings of Tehran and Vienna in particular — turns geography into poetry. If “Persepolis” had been a conventional memoir rather than a graphic novel, Ms. Satrapi’s account of her youth in pre- and post-revolutionary Iran would not have been quite as moving or as marvelous. Similarly, if the movie version had been conventionally cast and acted, it would inevitably have seemed less magical as well as less real.
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