This week at SFC: My Architect
BUILDING 7
Fernandes Industrial Centre
Eastern Main Road
Laventille
PORT OF SPAIN
STUDIOFILMCLUB is located in the front foyer space of building 7.
Our screenings are FREE and all are welcome to ALL.
Thursday March 12th
Start time 8:15 pm
MY ARCHITECT (Nathaniel Kahn/USA/2003/116')
A traditional quest, superbly told. Nathaniel Kahn seeks to understand the life of his father, the architect Louis I. Kahn (considered by many historians to have been the most important architect of the second half of the twentieth century), a task made even more difficult by the fact that Kahn had three separate and coexisting families: a wife and two mistresses with one child apiece. For his part, Nathaniel was an illegitimate son and only eleven when his father died; his interviews are laced with raw, uncut feeling for a man he never really knew. Throughout the documentary, he uses Kahn's buildings (beautifully photographed) as a kind of wedge into his father's motivations and personality. He discovers that Kahn's more famous contemporaries, like I. M. Pei, appear haunted by his career: is it better to have designed three or four unexampled buildings, as Kahn did, or to have had a successful, high-profile architectural practice? Perhaps more surprisingly, the women in Kahn's life don't regret the way he treated them. Anne Tyng, Kahn's co-worker and mistress, explains her affection this way: "The ideas that you work on together connect you always somehow." In the end, Nathaniel's homage to his father demonstrates what it was like to be caught in his creative whirlwind and asks: where does an artist truly live? In his life, or in the work he leaves behind?
Fernandes Industrial Centre
Eastern Main Road
Laventille
PORT OF SPAIN
STUDIOFILMCLUB is located in the front foyer space of building 7.
Our screenings are FREE and all are welcome to ALL.
Thursday March 12th
Start time 8:15 pm
MY ARCHITECT (Nathaniel Kahn/USA/2003/116')
A traditional quest, superbly told. Nathaniel Kahn seeks to understand the life of his father, the architect Louis I. Kahn (considered by many historians to have been the most important architect of the second half of the twentieth century), a task made even more difficult by the fact that Kahn had three separate and coexisting families: a wife and two mistresses with one child apiece. For his part, Nathaniel was an illegitimate son and only eleven when his father died; his interviews are laced with raw, uncut feeling for a man he never really knew. Throughout the documentary, he uses Kahn's buildings (beautifully photographed) as a kind of wedge into his father's motivations and personality. He discovers that Kahn's more famous contemporaries, like I. M. Pei, appear haunted by his career: is it better to have designed three or four unexampled buildings, as Kahn did, or to have had a successful, high-profile architectural practice? Perhaps more surprisingly, the women in Kahn's life don't regret the way he treated them. Anne Tyng, Kahn's co-worker and mistress, explains her affection this way: "The ideas that you work on together connect you always somehow." In the end, Nathaniel's homage to his father demonstrates what it was like to be caught in his creative whirlwind and asks: where does an artist truly live? In his life, or in the work he leaves behind?
posted by Attillah at 8:27 AM
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